nyc’s disco powerhouse west end records should need no intro. the home of too-numerous-to-list club classics for over 30+ years is still impacting today on what we know to be club culture. the label started by one mel cheren (rip) with assistance from larry levan and more way back in 1976 is still held in such high regard today with it’s catalogue constantly being played, rediscovered, reinterpreted and loved by waves and waves of new fans and admirers.
the west end story vol. 4 is an essential overview of this most iconic of labels and some of it’s more under the radar output, following on it’s from it’s predecessor the quality bar is obviously set extremely high, one only has to look over the tracklist to see the names and titles that are included! rare and overlooked cuts from sparque, debbie trusty, barbara mason, ednah holt and more make up 4 joyous sides of essential forward looking post disco classics - we’re talking late 70’s, early 80’s, synths, mega overdubs, left-field arrangements and anything and everything in-between.
a truly golden era of dance music history, names like tom moulton, tom savarese and more make up some of the talent featured on this flawless selection of goodies. oh, and for the record (no pun intended) these are all the extended mixes, 12” versions and special cuts, all killer - no filler! all tracks featured re-mastered, re-pressed and re-released with the permission of and in conjunction with west end records, new york city / bmg.

repress , swedish disco aficionado drop out orchestra has been plying his trade in the world of slick edits and on-point party fodder for the best part of ten years now, and now he comes to riot gear with a sure fire club classic to share. there s no prizes for guessing the source material on -holding on-, but in this context the evergreen crossover jam gets a modern steroid injection, having never sounded more contemporary than here. yam who? sidles in for a remix that does a subtle job, simmering down some of the familiar vocals and making a slinkier cut that still hits hard. -knucklehead- brings a little more jacking drum machine action to the table, but still disco is the main order of the day, while -where is my man- takes the prize with its on point jazz funk licks and stomping beat.

tenderness - a short-lived disco project helmed by james purdie and skip mahoney only released one 45 and one 12” single during their brief existence. known for their work with chuck brown & the soul searchers & frank hooker & positive people and many more, this duo were undoubtedly a highly talented producer, songwriter and keyboardist combination. originally released on rca in 1978 keep on trying was an underground club hit. the record still packs an immense punch today, it’s a mixture of tough streetwise drums and percussion and swooping dramatic strings and brass will surely hit the spot for disco aficionados. the kind of record you can imagine causing all out pandemonium at the garage while the scents of amyl and sweat fill your nostrils. the kind of record that would make everyone on the raised stages and podiums at the powerhouse whoop and holler in collective joy as frankie stylishly segues it into a punishing percussion break-down. yep. it’s that kind of disco record, so rare and so coveted that even the infamous dj harvey put it over his knee and gave it a good editing way back when. there’s been a shedload of poor imitations knocking around, dodgy euro bootlegs etc, but this 2017 repress is from the master tapes (yes, we can prove it) and is fully, 100% legit in every way. keep on trying - now available again, released in conjunction with rca. back on the streets. same as it ever was! essential disco heat here, buy on sight!

spearhead records label boss steve bcee returns with his 4th studio album, and itÆs safe to say that itÆs his best one yet. not just a solo affair, bcee has also drafted in some of the finest vocal and production talent around. with features from two time best d&b vocalist winner riya and d&b legend logistics being just the start. northpoint is bcee at his most diverse. from the early 90s hardocre influenced keep moving on to the jungle roots of hollow eyes this is an album that really showcases how broad the d&b spectrum can be while still keeping to the spearhead ethos of being uplifting musical d&b packed full of heart & soul. bcee said i wanted to make an album packed full of d&b that would work in a club just as well as it would in the car. no fillers, no showcasing how i can produce house or hip-hop or whatever, just pure no nonsense drum & bass. with bceeÆs spearhead presents brand regularly selling out shows at clubs like the legendary egg in kings cross & shoreditchs village underground, plus his growing dj & production schedule and the vanguard project his alias as a duo with fellow d&b produced villem, itÆs safe to say that even though bcee has been in the game for 16 years, heÆs only just getting started. support from friction, mistajam, metrik, technimatic, s.p.y, nu:tone, logistics, london elektricity and a whole load more

vinyl speed adjust return to pressure traxx. was about time for the boys to return after their block rockin beatrock debut in 2014. and here they are, back with two slick club cuts for your technics tricks. technicolor.

the fifth instalment of the hoxton records story turns to alan castro, who has already had a busy year appearing on the likes of for club, stamp and soundterasse. the vibe is stripped down and unhinged on this record, with lead track el avion de la mentira unfurling in a strange tapestry of samples, found sounds and off kilter synth rubs strapped to a crafty set of drums. modebaku delivers a more streamlined version of the track that keeps things freaky, but much more linear than the wayward original. sequela on the flip is no slouch in the adventurous department either, with swathes of modulating tones and wild sonic matter flinging around a funky shuffle, which ted amber then dutifully bolsters with a rubbery b-line on his more functional but still daring version

london based club night and newly formed label snap crackle & pop s third releases comes in the form of a dark take on new wave influenced techno from berlin based new yorker curses. side a kicks off with a hypnotic techno stomper another view which playfully tips its hat to early electro albeit through a visor of coldwave inspired guitars. together in the dark delves into even darker territores with ice cold organs reaching for the light through the grinding ambient yet groovy undertones. on the b-side inga mauer ramps up the dancefloor tension with her machine like acid rework pulsating and crashing urgently together in the dark, whilst the golden filter turn out a low slung trip of brooding synths and haunting vocals before cascading down the rabbit hole in a swell of industrial motorik beats and percussive explosions in their take on another view

being selfish, is one of the good things about running your own label. if you please, you can just try and re-release that certain record that you always wanted for yourself, but never could get your hand on it. now, you can just edit it the way you always wanted it to be (oh, those fade-outsà) and press it up. this is one of these occasions. when kalk (the collaborative project of philippe heinen and joffrey becker) was released on julien briffaz label brif in 1999, i just had started to dj out at a club in darmstadt (the late cafÚ kesselhaus) and the restrained, yet punchy house tracks symbolized what i liked about deep house back then: a mellow alternative to the bpm hunt and rigid attitude in mainstream techno, while not losing itself in chin-stroking wisdom or pesky noodling. it seemed that there werent too many around with the same desire. otherwise akasha wouldnt have remained a diamond in disguise and not what morgan geist so aptly named an unclassic. by his definition, that is: an old by and large forgotten record that would have deserved to be hit. if you take discogs as an indicator, more and more people start to think so though. here is your second chance to obtain a copy of the spirit of kalk. mildly edited and restored in the best human-possible way. mind you, its old house music from days of yore. dj gj

some more mexican music on quintessentials! this time from long time buddy 4004, another driving force in mexico and already an established producer with releases on labels like freerange, faces, vicario ltd or quintessentials. mostly doing stuff on his own, quintessentials 56 features a great collab track with stuttgarts stylus heat. im not sure if we find 4004 reasons to like you gerardo, but there are definitely two: youre a cool fella and we love your music - simple as that!

well sea - a splashing, refreshing new series from rss discoÆs mireia records. on this second entry marcus worgull and johannes klingebiel scout out the most euphoric and simultaneously intimate moments of the night. double a! visually, mireia records is always on the lookout for the extraordinary. well sea offers beautifully marbled turquoise vinyl, housed in a heavy clear sleeve, hand stamped labels and a sticker. sales points you know marcus from his work as a part of innervisions and the band vermont (together with motor city drum ensemble) - you know johannes from his hit-release nightlife on mireia records earlier this year and the bands vimes and c.a.r.? you know the record is going to be great

la fleur releases her new ep right behind you via her own power plant imprint. the ep includes two tracks, circadian, and the title track right behind you - both showcasing la fleurs in-demand brand of groovy, vocal techno. the ep release marks the end of la fleurs busiest summer on record. a residency at hot since 82s labyrinth parties at pacha in ibiza, touring brazil with the watergate crew and remixing their new single from the mighty sasha have lead to it being a season to remember. the title track, right behind you, features vocals from austrian vocalist/songwriter lula, who is best known for her distinctive work on danny tenaglia club classics like la fleur favourite read my lips. la fleur said: lulas voice is special and distinct. hearing her unique way of vocalising on favourite tracks of mine from back in the day (like tenaglias 98 single read my lips for example), i just felt i had to reach out to her. creating right behind you was a labour of love and we spent months working on it until we finally got to the definitive version.

commonly found lurking around l.i.e.s., technicolour and w.t. records, florian kupfer has plenty of credentials in the noisier end of the hardware house and techno scene, so it makes perfect sense to find him sidling up to valcron video in collaborative moder with torn hawk. the results are predictably excellent, from the gnarled emotional wrangles of -fake blood to the blown out ambience of hungry for candy. sweet tooth comes on like a dishevelled club workout, and then manipulation rounds the record off with a tongue in cheek spoken word and ambience piece that packs some serious music underneath the irreverent chit chat.

the in-demand duo chaos in the cbd is back on mule musiq with another breath-taking ep. this time the new zealand natives present different atmospheric spheres. the a-side tune comfort zone is a slow house burner enlarged with bird sounds, flute melodies and super warm bass power. on the opposite, their track educate the hear marries dub atmospheres and four-to-the-floor grooves, without giving up the hotness that dub music got to offer. their third tune pressure brings in, what is always needed in a club: funk that shakes the booty. and this wrapped in a gentle house track that stays calm while spreading hard to resist dance emo-tions. a heartfelt produced ep with three kind heavy hitters that come around for good

hazardous d&b reworks for club situations! repress on clear red vinyl.

exklusive vinyl-veröffentlichung! diese unauffindbare modern jazz-10inch lp von 1962 mit internationalem ruf gilt als eine der begehrtesten sammler-trophäen. erste neuauflage im originalformat, mit neun kostbaren aufnahmen aus dem atlantis club am klosterberg in basel: elsie (piano/ akkordeon/ gesang) mit siro bianchi (bass/ klarinette) und kenny schmidt (schlagzeug), mit versionen von tunes des american songbook stormy weather, no moon at all, canadian sunset und eigenkompositionen wie atlantis blues oder baron lazar. replika der privatpressung, ursprünglich erschienen in einer auflage von 50-100 stück, mit frontcover-artwork von malerin irène zurkinden.

oaklands aybee will make his debut on mollys newly launched rdv (recit de voyage) with the labels second release. the nexus ep follows the dj/producer/filmmakers 2016 lp the odyssey on his own deepblak imprint and recent 12inch the motion syntax for londons dmk. having established a reputation as one of electronic musics foremost innovative and versatile musicians with a freeform, jazz-influenced approach to production that has lent itself equally to a prolific solo output under various guises and collaborations with afrikan sciences, ron trent and jerome sydneham - the nexus finds aybee again mining a deep & hypnotic house sound to maximum effect, employing the tribal drum patterns, hypnotic synths and signature grooves that helped establish the deepblak sound. the trio of tracks make for a perfect follow-up to rdvs debut from prophets of a new generation, and fit beautifully within the trademark deep, subtle & groovy style of the parisian dj & rex club resident molly, who herself is quickly establishing herself as a label owner with her own unique vision.

on this record ben sun presents an old style lp format - 40 minutes of moods and grooves interwoven with an intimate story, of individuals struggling to live freely in a time of oppression. after a sultry jazz opener where the characters are introduced, the lp kicks off with a sweet and slow soul track in work again, underpinned by a rotating acid bass. third comes salty tears, the underground disco floor-filler (original limited 12 version) finding a second home on vinyl. your camera and monday usher in some moody rhythms to complete the first side. sin casa opens the flip with some minor-blues improvisation that gives way to a spacious deep house jam, where the protagonists emerge again. still missing shows deeper shades of a eurobeat style - an emotionally compelling club tune that sounds somewhere on the italo side of 1980s manchester. the story comes to a conclusion with cowardice, and the casual jazz-house sounds of mamans lover. killer album!!

beatrice dillon and call super debut on hessle audio with their first collaboration, an ep of intricate and immersive club tools

anthony fade join the shall not fade with the club fuelled ‘champagne paradise’&#8203, &#8203,ep. australian duo anthony fade graduate from snf sub-label lost palms with three groovy, broken beat house jams, accompanied&#8203, &#8203,by&#8203, &#8203,a&#8203, &#8203,remix&#8203, &#8203,from&#8203, &#8203,detroit&#8203, &#8203,house&#8203, &#8203,legend&#8203, &#8203,&#8203,andre&#769,s&#8203,. the&#8203, &#8203,four&#8203, &#8203,track&#8203, &#8203,ep&#8203, &#8203,features&#8203, &#8203,deep&#8203, &#8203,house&#8203, &#8203,cuts,&#8203, &#8203,perfect&#8203, &#8203,for&#8203, &#8203,the&#8203, &#8203,dancefloor.
housed&#8203, &#8203,in&#8203, &#8203,full&#8203, &#8203,sleeve&#8203, &#8203,artwork,&#8203, &#8203,with&#8203, &#8203,inner&#8203, &#8203,disco&#8203, &#8203,bag.

legendary philadelphia group first choice are undoubtedly disco legends. over the decades they have blessed turntables and eardrums with a slew of classic club records, look at any list of dj s choices or benchmark dance records and you ll see - doctor love , love & happiness , armed & extremely dangerous , double cross , love thang and many, many more! now, that s impressive. a truly legendary group, first choice came from humble beginnings during their student years in their native philly. off the back of some promising local appearances and some radio play they ended up working under the watchful eye of impresario norman harris who was managing soul legends the delfonics. the rest, as they say, is disco history! featured on this incredible compilation is some of first choice s classic mixes and cuts, touched by the old school masters, mixed by the heroes of disco - tee scott, shep pettibone, larry levan, tom moulton etc. truly an essential collection featuring all the classics listed above, and more, in their full 12- mix glory, untouched, respectfully remastered and compiled here with love and care. a truly essential package for the die-hard disco aficionado or for those who are exploring this most important movement in dance music for the first time. curated with the full input and backing of salsoul records and carefully selected to reflect the truly timeless nature of the music contained within. for listening, for dancing, for turning on a party! remastered by optimum mastering. artwork & design by million dollar disco.

the intergalactic research institute for sound presents de, a compilation of various artists representing georgian electronic and ambient music. / de is a compilation of music from artists of different backgrounds getting together in order to showcase the dynamic influences within the georgian scene. tbilisi is getting worldwide recognition at the moment for its booming club scene, but what this project aims to illustrate is what is happening outside of the club context. natalie beridze who has been performing worldwide since 2004 is known as the first female electronic music artist in georgia, rezo glonti has built his studio inside the hull of his boat, and zesknel is a resident of the renowned bassiani club, while myi and severiane were discovered thanks to myspace, soundcloud, and word-of-mouth. all these talents manage in their own ways to present / de, with murky and melancholic cuts. melancholia is at the core of beauty in georgia. that is not the case in germany and many other cultures, where melancholia is often charged and bound to a negative feeling, which some might perceive as weakness. consequently, one could be tempted to say that even if it‘s electronic music, de has a traditional georgian quality. but that would be putting art in boxes or cases because what is georgian art nowadays, when so many artists from this origin are scattered around? as giorgi maisuradze states in his mission statement for de, the world is their home.

hot on the heels of both save me and the robert owens collab is the third instalment of the walk.man series. big wide-eyed club womper better dayz on the a and the subtler soul rolla stay away from music on the flip. these go off. the walk.man mixtape will be released in full on cassette and digital at the end of the summer

the first release on leipzig s ph17 is a compilation of pieces by companioned artists and promising talents which try to pass the limits of regular club music by combining its roots with experimental and weird structures. leibniz sampled his playstation sounds, ariadne created a symbiosis between opera singing and heavy electro acoustics, hobor, who is usually non-conform in his productions, experiments with loopy techno sounds which are creating their own dynamics in-between. annanan and stanley deliver breaks, lo-fi electro and wicked melodies.

housewax is happy to welcome back sakro! this time he teamed up with his friend miguel puente. nearly one year after his -lemonade ep- the duo presents 3 outstanding club tracks - right on time for the summer season. sakro s releases are played by nearly all good dj s around the globe. the last important push came early 2017 after his release on raum musik #100 which is already noted as one resident advisor s best records of the year!

we are bringing together the creative might of our residents to bring the sound of renate on a double release ep. over the years renate has grown from a impetuous party to a glorious club. the people who came together under her roof and played beats that made bodies pulsate with ecstasy have become benchmarks in the music industry of today. we want to share with you that talent. the first ep hosts tracks from peak & swift the colourful techno duo that inadvertently become the face of renate today. sebastian voigt, the dark techno horse of the renate tribe, adds a little mystic depth. samanta fox & oliver klostermann bring their high styled brand of cosmic music to the wax in a epic track and lastly johannes albert the wunderkid who broke free of the berlinÆs shackles and taken over the global stage with influences from none other the wilde renate.

having previously impressed for burek and five fold separately, berlin based italian duo autre and two thou teamed up for a split record on croatian fields & forests imprint. the record showcases a nice combination of eclectic rhythms, funky basses and spacey solos but despite its club signature and retro-futuristic vibe, solar society is still more of a cosmic porch burner rather than a dancefloor banger.

that crystalline moment we all know too well. what was saturday night has become sunday morning. pleading with sleep to come while piecing together the last few hours of the party you’ve just left. few would claim to be at their most productive at this ungodly hour. not hekkla, this is when he gets down to work.
the nachtbraker ep is the product of several of these post club jam sessions. or in the words of the artist “the same places revisited again and again in the midst of night.” translated from the dutch word “night owl”, hekkla’s latest extended play delivers on it’s promise, serving 4 cuts of floor filling goodness ready for breakfast.

the first release as buena vista disco club (miami, electric pickle/vinyl addicted) and collaboration with female dj and label owner yulia niko based in brooklyn. incl. remix by london techno guru laurent ci, who is currently a member of the op:um group and accordingly he mixing his music around the world.

having previously released on appian sounds, fred p’s boards and efdemin’s naif, o.utlier debuts on sze with an exploration of reflections and resonances in the self from objects and experiences in the environment.
the a-side features “eastbound”, a breakbeat driven slice of techno built for the club, charging forward on a journey through dizzy pads, bouncing oddball basslines and textural pressure. next up is “letat”, an ambient breath of air, both melancholic and uplifting. the b-side strides further into the unknown with “rhodesamp (whacked out revamp)”, a transmission of dubbed-out meditation. rounding off the release is “ava”, a hypnotic wedge of dub techno with a middle eastern feel.

steffi occupies a unique space in the realm of contemporary electronic music. although she s a world renowned dj, steffi s musical interests reach far beyond the dancefloor, and it s her work as a producer that has established an impressive, hard-won legacy. soon after moving to berlin in 2007, steffi joined ostgut, becoming a resident at panorama bar and releasing on the club s label. to date she s released five albums, including two solo for ostgut ton, a co-production with virginia, another with analogue cops as third side and a collaboration as doms & deykers on martyn s 3024 label. her impressive discography features club classics like “ yours feat. virginia” , carefully chosen remixes and appearances on labels including permanent vacation, underground quality and mixes for panorama bar and fabric. she owns and operates four labels: klakson (with dexter), dolly, dolly deluxe and dolly dubs. world of the waking state is steffi s third solo album for ostgut ton and a musical departure for both her and the label. it s also a serious statement of intent. over ten tracks she embarks on entirely new electronic terrain for her productions, marking industrial spaces with superlunary warmth while exercising a refined knowledge of polyphony and arrangement. subdued melodies interact with each other over implied harmonies and microcosmic drum patterns, luring us into a world that is introverted, bewildering and gratifying all at once.

nu official versions of the italian house classic detroit 909, written and produced by ivan iacobucci in 1991.

man power has proven on many occasions to be adept at all manner of different moods within the hardware house canon, but on this occasion hes particularly focusing on creating an exotic feeling out of mechanical means. tropical bastard is a fitting title for this project for not an animal records, with the original steeped in driving patterns of rhythm and melody that approximate a flavour of far flung lands while mutating the feeling into something more club-minded. lord of the isles goes one step further with a remix that ramps the modulation up to devilishly wonky levels. tropical bastard 2inch is an entirely different beast that plays on a cinematic vision of tropical escape, but with an acid thread pulsing through it. then the frank butters remix finishes the ep off with a more submerged, but equally mischievous take.

repress with basic art! dreamy synth songs for island trips and dark club nights - nous klaer presents their first various artists compilation. 12 tracks spread over 3 vinyls, with all label regulars as well as new additions to the imprint.

delivery is the work of greg shin, who has previously appeared on la club resource and smashing tape records. now he appears on torn hawk s valcron video with a wonderfully diverse set of leftfield machine workouts, kicking off with the tempestuous drum twitches of brain drained. technology transplant is a polar opposite, focusing on calm drifts of ambient synth with a mournful tinge. the b2 is worth digging for, as four two nine seems to balance the two other tracks and make for the most club-ready piece on the 12inch.

throughout the 90’s, dj bone was one of detroit’s best kept secrets. releasing only a handful of 12 inches, bone’s eclectic and fast mixing style became popular in his home town, starting with his weekly residency at the love club, and gaining more all over detroit 5 nights a week, as well as fortnightly live sets on deep space radio. in 1996, laurent garnier witnessed him djing, and invited him to play in paris legendary rex club - a 12 inch for juan atkins metroplex soon followed, with a peel session, and his subject:detroit volume 2 mix cd being distributed worldwide helping to establish him globally as a force in detroit techno. anotherday are very proud to announce the reissue of that legendary metroplex 12 inch, riding the thin line. from the sweeping strings and tribal loops of shut the lites off, to the hissing bassy electro of the funk and woozy techno of the haunting, this is dj bone at the peak of his powers.

after an impressive debut secret society return with a quality packed ep for the labels second release. ss02 features four cuts that cover a range of driving dubby deep house side by side with loopy vintage grooves. crisp drums and raw sounds are part of the recipe for this sureshot

we are very excited to welcome rocco & esquivel to cosmica s roster this year. the duo formed by rodrigo desentis (méxico) and eduardo esquivel (uruguay) provide an uptempo gem strictly designed for the dance floor. esquivel is a well know name in the latin american electronic music scene, since he started his residency at the mythical club extasis in montevideo. after 25 years of career and extensively touring through uruguay, brasil and argentina, eduardo has settled in méxico city with residencies in the acclaimed blanco colima and casa disco.

new release by django django’s own kick + clap label. 12” ep kitted in kick & clap house sleeve and white dust jacket.
lady chann & rapha team up for ‘hard drive’… the uk’s ‘number one dancehall queen’ returns with a storming carnival heater called ‘hard drive’. ‘back it up, hard drive’ is the command from the lady on this minimal dancehall rhythm, which packs in solid sub-bass, a bark, and some well-placed/spaced-out percussion. the producer is the bern, switzerland born and raised raphaël ‘rapha’ gasser, who became hooked on dancehall after hearing a mixtape by berlin-based supersonic sound and has gone on to collaborate with the genre mainstays like i-octane, sheba, kiprich and more. on the flip b-side is the remix by newark-based jersey club original r3ll, upping the bpm and sure to keep forward thinking dance-floors bubbling. kick n clap is the record label founded by django django’s dave maclean.

madteo continues his assault on banal club music on the second issue for his own imprint, m.a.d.t.e.o records. hacking rhythms chug across side a like a ghost train creeping through the toxic haze in search of its next passenger. flip over the wax for a descent into the sub atomic - harsh ambient frequencies orbit gut-wrenching bass. seek shelter!

proper remixes from solomun , chris liebing, point point...

just over a year ago cassy embarked on her largest and most personal project yet, her debut solo album donna , released on revered imprint aus music. since then, cassy has put out a string of remixes on powerplant, turbo, echoe and watergate, plus a track on muna s latest va. throughout this period, cassy has also been in the studio working on new material, the first of which to be released in september, and is titled cassy 004 . as the title infers, cassy is reawakening her self-titled imprint she created in 2006, and has had three previous releases until now. with no plan or set schedule, the remit was simply to release her own records, when the time is right, and the quality is high. the music always reflected the quirkier side to cassy s club tastes. and 004 continue in this vein. it perfectly encapsulates the sleek and hypnotic sounds of the harder end of her dj sets. the tracks are titled one and two , with cassy giving one a reshape to round off a trio of cuts aimed at the dancefloor.

they expect me to write something informative about the tracks on this ep here but i find it really difficult to express music in words. on top of it i went out last night, to club der visionõre, and i feel hungover and empty inside my head. so now im sitting here and all i can think of is, cant you just take a listen to the music?! the ep contains 5 tracks all made in the last couple of lousy summer months here in berlin in nostalgia for the better days. itÆs about house and a bit of electro, no gimmicks.

combining forces, audiofly and patrice bäumel draw on unique inspirations from the desert to deliver the monumental atacama on crosstown rebels. having focused solely on his own productions in the past, label boss damian lazarus steps away for the first time to complete this exceptional release with a profound re-shape. the hypnotic atacama intricately builds with a certain intensity that never drops, stimulating the senses and transporting the mind as deep, grumbling pads drift in and out of play. damian lazarus remembers the first moment i heard this track i knew there was something very special about it, not only did it strike me as a killer club record but i also felt the textures completely appropriate to my own experiences in the atacama desert. on the flip, damian changes gear as a deep, chugging beat leads the way through an impressive re-shape of the original. anthony middleton and luca saporito aka audiofly have established a creative empire, which includes two record labels and their flying circus global party brand. they met patrice during a us tour and immediately hit it off. it wasn t long after that we decided to invite him to barcelona for a session that proved to be nothing short of inspirational. internationally renowned dj and producer patrice bäumel has had a busy start to 2017 with a release on tale of us’ afterlife imprint, plus remixes for sasha & policia and depeche mode amongst others. he truthfully said of the this release, it s a labour of love that came together within a few hours of jamming in the studio, unlike many collabs this one really felt like we all equally contributed to the end result.

liem and eddie ness are back on home turf with a club oriented four-tracker, the metronic disco fever ep. four punchy, tempo-driven house tunes that stick together like glue. produced entirely in their studio in hamburg, these tracks have that analogue, spontaneous feel and pack some serious dance floor weight

the 7-track compilation « party people » concentrates a range of musical influences that will take you from new-york garage house to groovy nu-disco and french house. the opening track, signed by a slovak artist discovered on soundcloud by the collective, is proof that house music knows no borders.

adult contemporary welcomes u.k. s mark gilbert as hugh mane via his adopted home base, oslo. three impressive, punchy and amazingly produced songs adorn this release. like us, you will become a real sucka for the title track, -real sucker for your love-. this buoyant live performance was built around a sequenced bass line and really drives the kids crazy. we guarantee that over time all the three songs will rotate as the favorite at one point or another. side note: they sound amazing at home, at the beach and in the club. early supporters include kcrw 89.9fm los angeles, dj harvey, bill brewster, lovefingers, nick the record.

saturn fc and intergalactic kalahari oysters have agreed to the loan of the player interplanetary criminal for the next ep on kalahari oyster cult, pending the relevant mental health check-up. intergalactic kalahari oysters reserves the right to purchase the player when comes the end of the world. -we re delighted we ve been able to complete this transfer. signing interplanetary criminal was our squad s biggest wish,- commented kalahari oyster cult s label boss. -interplanetary criminal s out of body ep is a versatile ep, with 3 absolute belters and a very emotional jam. these tracks were tested and approved in club environment. interplanetary criminal is ready to kick off the season and there s no question that this transfer further increases the quality in our roaster.-

piros 001 kicks off with 2 solid, meticulous tracks delivered by uruguayan, berlin based upcoming talent ema remedi. the ep includes a killer remix by ernesto ferreyra, a club-oriented track which will drive you deeply into a dark, subterranean dance floor at early morning hours. vinyl only!

for the 6th release fabe goes solo again with a four tracker that includes all his musical facets starting with an a side which actually transports his most club characterized work. on the b side everything gets more melodic and hypnotizing chord pads are telling the story further...